Disobedient How-Tos

Disobedient How-Tos

Disobedient How-To Guides

V&A, 2014

A series of step by step guides showing people how to make six of the objects in the Disobedient Objects exhibition.

Available to take away in the Disobedient Objects exhibition and download from the V&A website, these ‘how-to’ guides highlighted the status of disobedient objects as tools for action. They were inspired by the long tradition of social movements recording and sharing their design knowledge in pamphlets and guides for others to remake and modify, a process we termed ‘swarm design’. 

In August 2014 the V&A guide for making a tear-gas mask from a water bottle was shared and used by people protesting in Ferguson, Missouri, against the fatal police shooting of unarmed black teenager Michael Brown. A month later, during the Umbrella Movement in Hong Kong students ran workshops using the guide to fabricate hundreds of masks that were handed out during street demonotarios to protect people from the effects of tear gas. As the use of tear gas as weapon of crowd control has escalated around the world, the guide has continued to circulate. 

Download the guides.

Curator: Catherine Flood
Curator: Gavin Grindon
Designer: Marwan Kaabour, Barnbrook Studio

Lost Treasures of Revolution: The Graphics of Solidarity 1980-89

Lost Treasures of Revolution: The Graphics of Solidarity 1980-89

Lost Treasures of Revolution: The Graphics of Solidarity 1980-89

Touring Exhibition, 2021-22

An exhibition about the graphics that helped to build and sustain one of the biggest social movements of the 20th century.

As the leading political force opposing communism in Poland during the 1980s, Solidarity paved the way for a peaceful transition to democracy in 1989. From its iconic logo to spontaneous poster designs and underground ephemera, this exhibition showed how the movement’s graphics created a rich visual culture of resistance that spoke to people from all walks of society.

It included 25 Solidarity poster designs, shown alongside a selection of badges and rarely seen underground stamps bearing witness to the grassroots creative spirit of the movement in the 1980s.

Curator: Catherine Flood
Designer: Vipul Sangoi, Raindesign
Organiser: The Polish Cultural Institute, London

Photogrtaphy Vipul Sangoi
A World to Win: Posters of Protest and Revolution

A World to Win: Posters of Protest and Revolution

A World to Win: Posters of Protest and Revolution

V&A Touring Exhibition, 2014-16

An exhibition of posters agitating for political change, from women’s campaign for the vote to present day struggles for social justice.

A World to Win featured posters by radical print collectives, anonymous artists and celebrated designers working under many different conditions for many different causes. Together, they demonstrated how people have used the poster over the past hundred years as a powerful means to agitate, educate and organise. 

Curator: Catherine Flood
Assistant Curator: Rowan Bain
Exhibition Manager: Vanessa North

Gallery images by John Hartley of the exhibition at Nottingham Castle, 2016.
Object images from the V&A collection. 

This film was produced by The Irish Times while the exhibition was on show at the National Print Museum in Dublin, 2015

Couleurs du Terroir

Couleurs du Terroir

Couleurs du Terroir

 

An ongoing personal research project

 

Last year I began making colour from my local landscape in the form of dyes, inks and pigments extracted from foraged plants and found materials.

Lower Normandy has a distinct palette of colours from the golden ochre of its cider apples to the magical, milky greys of the mud in the Bay of Mont Saint Michel. But this project goes beyond what meets the eye, to approach colour as a kind of ‘terroir’, looking for the ways in which climate soil and culture combine to produce unique shades that can be used by all kinds of makers.

Curator: Catherine Flood

Images Vipul Sangoi and Catherine Flood
Power to the People

Power to the People

Power to the People

Carrie Reichardt & the Treatment Rooms, 2014

An ceramic intervention on the  façade of the V&A 

Made in response to the exhibition Disobedient Objects this commission reflected the idea of a people's history of art and design from below. It invited visitors, as they crossed the threshold of the museum, to consider activist social movements as an important part of our culture. 

Quotations inserted between the steps leading up to the main entrance represented the voices of activists and political thinkers, from 19th-century anarchist Emma Goldman to an anonymous slogan on a 1970s badge. On either side of the entrance, two ‘ceramic posters’ collaged together images of protest in Britain, past and present, including actions that Reichardt, her friends and family were involved in. They intentionally covered over an inscription commemorating the inauguration of the building by the ‘Empress and Emperor of India’ (Victoria and Albert). 

Curators: Catherine Flood and Gavin Grindon
Artist: Carrie Reichardt
Makers: Treatment Rooms Collective

Images copyright V&A and Carrie Reichardt